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The classic team role-playing game of conspiracy and strangeness
Hidden Circles
Chapter Two
Celestina smiles at the harassed-looking Nina. "Though the Buddha teaches
us patience, but I am always eager to continue on the road to enlightenment,
will there be any lessons or sessions that we might attend, being strangers
and only short term visitors at that?"
Nina smiles back, wearily and slightly forcedly. "Yes, yes - some are
further along the road than others, but we all have the same distant destination,
don't we? We aren't very big on formal tuition here, Frank believes that
each person must find enlightenment - the Buddha-nature, I suppose you'd
say - within her or himself. He can help people look within themselves,
and he can provide the environment to do it in, but he can't teach them
how. So the best thing would be for you to attend the ceremonies, and meditate
- talk to Frank about that, he knows some good techniques." She taps her
foot rapidly.
Celestina says nothing else, not wishing to annoy the obviously busy
Nina.
"This way!" says Richard, indicating the tall staircase.
He leads them up, and off down a long corridor into what must be the
east wing of the house. Throughout, the signs of disrepair and disuse are
evident, and there are more pale patches where pictures and other objects
must once have been. The impression given is that the house was cleared
some time ago, and may have stood empty for a while before the Keepers
moved in.
"There's the bathrooms, look," says Richard, pointing to a group of
four doorways. "And here's where the boys sleep!" He flings open a double
door leading into a large dormitory, with around two dozen bare-looking
frame beds in it. It looks rather like a hospital ward. The beds have thin
mattresses and very old-looking pillows, and apart from a small cupboard
by the head of each bed - these cupboards being very ill-matched - there
is no other furnishing in the room. The only lighting is natural, through
a set of tall windows on the east wall.
Most of the beds are made up and bear the signs of having been used
last night, but those at the far end just have a small stack of sheets
and blankets on, and it is to these that Richard directs Jack, Russell,
Michael and Tanzan. "Make yourself at home, and I'll come and find you
in time for the ceremony - you do want to attend, don't you?"
Russell nods, and one by one so do the others.
"Good! Right then, now the two ladies - this way please!"
As Tanya leaves the room she takes the opportunity to draw Jack aside
for a moment. "Mon cher Jacques," she says in her alluring French accent,
"I 'av seen 'ow you 'av been looking at me, and I too feel ze same vay.
My 'art it goes de-boop-pet-de-boom. Yor 'air is like ze blackest raven,
and yor eyes are like pools in ze desert. 'Ow I long to be 'eld in yor
powerful arms, and to feel yor warm embrass. I feel lost and alone, and
far away from mes parents et ma famille. You will comfort me, non? I need
someone pour me faire sauvir."
Jack looks around himself embarassedly, running a hand through his hair.
Tanya casts him a melting glance as she follows Celestina and Richard out
and down the corridor.
The women's dormitory is identical to the men's in every regard, except
that there is a vase full of sprigs of yellow broom in water under each
tall window.
Celestina sets about unpacking her possessions - which seem to be merely
a few changes of clothes similar to those she is wearing - while Tanya
struggles with her cases. Celestina watches her intently, and Tanya meets
her start with a piercing look of her own. "Wat iz wrong?" she asks sternly.
"Won't you 'elp me with zese?"
Celestina turns away. "Wat iz wrong is that I am wondering why you've
brought enough clothes for a fortnight's holiday when we are in fact staying
for a weekend, and I don't suppose you've got anything more appropriate
in those bags than what you're wearing now. This is a new-age hippy commune
and not a night club, you know. And if you want some help with them, get
Callaghan to do it, or if not, perhaps you might plan your packing better
next time, hmm?"
Michael speaks to Jack as they unpack their belongings. "You're in the
Navy, is that right, Jack? Where are you from?"
"I'm from Chicago," says Jack, flashing Michael his rather charming
smile. "I spend a lot of time in DC, too - yeah, I'm with the Navy, I'm
a lawyer for them."
"I'm from Phoenix, Arizona," says Michael. He and Jack chat animatedly
about the merits of their respective states.
Meanwhile Tanzan has laid out on his bed a set of pale grey robes. Standing
at the centre of his own silence, surrounded and unhearing the movement
of the others around him, he quietly considers. Without saying anything
to the others, he heads out of the dormitory and down towards the gardens.
Celestina turns back to the flushed, struggling Tanya. "There's no point
getting off on the wrong foot," she says, going over to help her. "We have
to work together and watch each other's back, which we won't be able to
do if we're squabbling. Friends?" She thrusts out a dark hand in a gesture
of friendship.
Tanya takes her bag from Celestina's other hand, places it on the bed
and walks straight out, past Celestina, without another word.
As she walks down the corridor, she sees Tanzan. "You will take ze walk
avec moi dans le jardin, excuse, ze gardin plus tard, Tanzi Nanzi?"
Tanzan ignores her completely.
Michael smiles to himself at the sound of Tanya's accent.
The investigators, apart from Tanzan, meet up before Richard is due
to collect them.
"We haven't decided whether we're going to behave as acquaintances or
not," says Celestina. "Perhaps Tanya and Jack could masquerade as a couple,
and Russell and Michael could be friends. Tanzan and myself could pretend
to be strangers to the entire group."
Michael holds up his hand for silence. He pulls from his pocket a device
that looks like a portable radio, and sweeps it around the room, listening
intently. He is satisfied that they are not being bugged. "After we've
all had a chance to probe around, we should meet up again and compare notes,"
he says.
"Yes," says Celestina, "we shouldn't be seen meeting up like this again
- just in pairs, or all get together if we are sure it is private."
"We need to act cautiously," says Russell quietly. "If we want to get
close to this organization, causing a scene on the first day won't help."
There is a cheery "Hello!" and Richard Blood appears in the doorway.
He has with him a teenage girl, probably about fifteen, with a pointed,
intelligent face, dressed scruffily in jeans and tee-shirt. She looks curiously
at the ill-assorted investigators.
"This is Kate," says Richard. "She's one of our newest and keenest members,
isn't that right, Kate?"
"Better than being at home," says Kate. Her voice is very middle-class.
She stares at Celestina's pendants. "Is that a real rabbit skull?"
"That's right, and look -" she shows her, "- here are its leg bones.
Very useful things."
Michael is intrigued and peers as well. "Do they protect you against
attack? I knew a guy once had a rabbit's foot bones to keep him from being
struck by lightning."
"Shall we?" says Richard.
As they walk down to the garden, Kate dances among and about the investigators,
plying them with questions. She is delighted to find Jack and Michael are
American. "Are you a pilot, like in Top Gun?"
"A bit like that, I suppose," says Jack modestly.
"Are there any other visitors here at the moment?" asks Russell.
"Apart from you, no - just the natives! - I mean those of us who live
here all the time. We're expecting two or three at the weekend, though,
I think," Richard replies.
They are joined as they reach the gate by a middle-aged man with short
grey hair, a red face and a bushy moustache, wearing the same robes as
Richard. He too seems delighted to see the new recruits. "Fleeing the stresses
of the city, what? Name's Windsor, George Windsor - like His late Majesty!"
He offers his hand to each in turn. "Young Richard showing you the sights,
eh? Fine fellow!"
The group of eight walk along together around the corner of the house,
towards a small dip in the ground. The plangent tones of a didgeridoo can
be heard issuing from it.
Cresting the rise, they see that in the dip beneath them are gathered
twenty or so people, all wearing the cult robes. They are standing in a
broad half-circle, in two rows, facing southward. In front of them is a
grey obelisk, about four feet tall with a pyramidal top, the surface of
which is covered in Egyptian hieroglyphs. Standing next to the obelisk,
one hand on it proprietorially, is a man of around 45 years, of average
height, slim, with close-cropped brown hair receding at the temples. His
eyes are very bright and animated, and his face appears very expressive
and energetic.
The party join on at the back of the group, feeling rather out of place
in their ordinary clothes. "Don't worry about knowing the words, you'll
get the hang of it," whispers Richard reassuringly, as the man by the obelisk
- presumably none other than Frank Gupper himself - starts a low, sonorous
chant in an odd-sounding foreign language. The didgeridoo, which is being
played rather inexpertly by a young man sat over to one side, keeps pace
with him, and after two or three phrases the robed devotees join in with
varying degrees of tunefulness.
There is a curious sense of absorption in this secluded dell, with only
the droning of the didgeridoo and the calm, monotonous voices of the Keepers
drifting around it. The sun is high and hot, and the atmosphere is full
of a beguiling lassitude: Russell in particular is finding that he can
hardly keep his eyes open by the time the fifteen-minute ceremony is over.
The Keepers start to disperse, some looking curiously at the new arrivals,
and Russell has a good look at Frank: the fellow certainly seems to have
a charisma about him, greeting and chatting to various of the worshippers
as they head away.
George heads over to the young man with the didgeridoo, and pats him
on the back amiably, saying something quietly - Michael, straining his
ears, thinks it's just something like "Well done, Jack."
Eventually Frank comes over to the group, where Richard eagerly introduces
him. "This is Frank, our leader here."
"Not leader, Richard - we have no leaders, remember? I'm just fortunate
enough to have received the revelation of enlightenment earlier than you
others, that's all." He clasps both hands of each of the party between
his, which are warm and dry, and looks each deep in the eye. Tanya takes
the opportunity to lower her lashes alluringly, and this certainly seems
to have an effect on Frank: he holds her hands longer than anyone else's.
"You are all most welcome to this haven of tranquillity," he says, finally
releasing Tanya. "Please make yourselves at home, and treat us as all pat
of the same family. We demand nothing of you, but hope that you will be
able to contribute to our little community in some way. If any of you wish
to speak with me, I'll be available this evening in the billiard room -
for now, I'm sure Richard is taking admirable care of you."
"What was all that we were chanting?" asks Russell curiously as Frank
leaves.
"Ancient Egyptian prayers and spells," says Richard. "Frank was given
them in Egypt by a mysterious beautiful woman - and the obelisk, as well.
Exciting, eh? That's how the Keepers started, really. She - the spirit,
goddess, or whatever she was - must have marked him out as well down the
path to enlightenment already, he'd had loads of different mystical experiences
already - but he hadn't realized until then that all beliefs are just imperfect
reflections of the True, like ripples on a lake - or something like that!"
As he speaks he is leading the party around the back of the house. "That's
the vegetable garden, as I said, and there's my 'meditation grove'! The
ground runs down to a little river, a stream really I suppose, down there,"
he points, "and there's some caves in the hill over there," pointing again,
"although they're not very safe, so I wouldn't advise going in."
Meanwhile, Tanzan has been performing his own form of meditation, the
Soto Zen discipline of mokuso. He has found a secluded stand of willows,
and is kneeling in the seiza position. His mind drifts over the koan given
to him by his Sensei to answer, before he left the temple: "What will you
do when they ask you to kill the cuckoo?" The intuitive answer still does
not come.
After some time Tanzan becomes aware that he is being watched. Without
opening his eyes, he can sense that the person is some metres away, so
there is no need to take up an attack posture.
Slowly he rises and turns round. Standing at the edge of the grove,
her arms hugging around herself, is a woman in her thirties, thin, with
a slightly mournful expression, dressed in the cult robes. She smiles weakly.
"How do you do? I'm Jenny Hammond."
Tanzan bows politely. "Tanzan Nangi."
"Sorry for disturbing you at your meditation, I saw a grey shape and
I thought... anyway! Sorry, I'll leave you to it." She makes to go away.
Tanzan opens his hands. "Not at all, my dear lady. Please, join me.
I am most interested in hearing about your beliefs. Come, sit beside me
a while and tell me about yourself."
Jenny's face breaks into a smile, almost disbelievingly. "Thank you!
That's really s very kind of you." She comes over and perches on the root
of a willow. "Are you joining the Keepers, or are you just her to visit?"
"I am not yet decided," says Tanzan non-committally.
"Oh, well, I recommend it, really I do. It's done wonders for me and
the kids. Frank is a wonderful man, and everyone here's so lovely - all
so friendly. It's like being in one big family all together, and we share
everything with each other - better than anything we had out there!" She
gestures towards the world in general.
"Is it a true religion, with its own beliefs?" probes Tanzan.
"Oh, yes, for sure. It's all about the sun, it's based on old Egyptian
beliefs. But we tolerate people who believe in other religions," she adds
hastily. "If you follow... I don't know... Buddhism? or whatever, that's
OK, it's just a different way of arriving at the True - that's what Frank
says, except it's not as good of course!"
"How do the local people take to all this?" Tanzan asks.
Jenny's face loses the happiness his first question had engendered.
Her mouth twists. "Most of them are all right - well, some of them are
very good people, most of them can't be bothered either way - but there's
some of them... I wanted to send my kids to the school in the village,
you know? And one of the governors, this awful man called Bugbee, he chucked
them out, said they weren't good enough for his precious village school,
as if his daughter'd catch something off my kids, or something. And
he told such a lot of lies about the Keepers!"
Tanzan nods, his face expressing only interest, and thinks to himself
"Amazing what a little mokuso can lead to!"
Richard is leading the group on a tour of Branston Hall, with Kate in
tow occasionally throwing in remarks. Tanya takes every possible opportunity
to make suggestive comments to Richard - making Celestina cringe and Michael
laugh quietly to himself - but Richard seems to interpret them merely as
friendly chatter.
It seems that the whole house is in pretty poor repair, and the Keepers
are only gradually making it habitable. On the ground floor there are offices
for Frank and Nina King, who seems to be pretty much his deputy. There
are large kitchens, opening onto the extensive vegetable gardens (both
kitchen and garden busy with toiling Keepers), and a big dining room with
trestle tables and wooden folding chairs. There is a large and well-appointed
billiard room, with a full-sized table that unlike everything else seems
in good repair. The young man who was playing the didgeridoo earlier is
in here, practising cannons, and he looks rather sheepish and embarrassed
to be found at it. Richard sighs slightly but does not comment. There is
also a small library, which catches Celestina's eye.
"Richard," says Russell, "Nina mentioned a safe - I might want to think
about putting some things in there."
"Like your computer?" says Richard, gesturing at the notebook PC which
no-one has yet observed leave Russell's hand.
"Maybe, if I could get access to it whenever I needed it - how many
people have the key?"
"Just Frank," says Richard, "and you'd need to ask him if you wanted
it out - so it wouldn't be ideal if you'd be needing it in and out all
the time, he's very busy most of the time. But don't worry about it, no-one
here would dream of stealing any of your stuff - the safe is just for if
any of you feel uncomfortable, really." He laughs lightly.
Upstairs there is pretty much just the dormitories, including one for
children only, and bathrooms, plus another door on the other side of the
main landing which Richard indicates as Frank's bedroom.
"And that's about it, apart from the cellars - that's where we keep
the wine and beer we make, and that sort of thing. And there's a load of
outbuildings - sheds and so on. What do you think?"
Everyone makes polite "very nice" noises, and Tanya thanks Richard effusively.
Celestina heads back for the library, which she finds empty of people.
She tours the shelves, finding with some disappointment that it mostly
consists of thrillers and other popular novels. There are a few shelves
of occult / New Age material, but it is all very populist - nothing that
anyone with any real knowledge would find interesting or useful. It mostly
concerns Egyptian mythology and beliefs, although pretty much every culture
to have been robbed by New Agers has a prettily-illustrated book on it
somewhere on the shelves. All the books in this section are fairly new.
She wanders back out, thinking to herself that she would like to talk
to some of the female Keepers about the mysterious Frank, and what sort
of sway he might hold them in - but that to set up such a conversation
may call for a little delicacy.
Tanya draws Russell aside. "Ah Monsieur Ozburne, enchanté encore.
I would like to take ze walk in ze woods plus tard. Veux-tu sortir avec
moi ce soir?"
Russell, over whose features a variety of expressions swiftly pass,
embarrassingly blurts out "Yeah, sure," his usual way with words deserting
him.
The party meet up again to plan for the evening in one of the unused
rooms on the ground floor, hoping that they have not been seen gathering
together. Michael sweeps the room for bugs.
"Tanzan and I are planning to go to the village, posing as journalists,
and try to find this Bugbee character that Jenny Hammond mentioned," says
Celestina. "I'm not sure how we should go about finding him, though: we
could try the pubs, I suppose, there seemed to be three or four of them
in the village."
Russell, glancing at Tanya, says "We were going to investigate the grounds,
and see if there's any hidden or out of bounds areas - anyone any ideas
about what we should be looking for particularly?"
"Is anyone going to go to the sunset prayers, or to have a talk with
Frank?" asks Jack.
It seems as though he and Michael are the only candidates for these
tasks.
"And what are we going to do about the rooms in our names at the Black
Prince - cancel them, or keep them? If we want to keep them we should at
least show our faces, or they'll think we're no-shows," he adds.
"You should meet with Gupper, Callaghan," says Tanzan unexpectedly.
"You are a strong character."
Michael looks at Tanzan suspiciously. Tanzan is impervious.
Russell hastily breaks the moment of tension by saying "Oh, if anyone
wants to use this -' he brandishes his computer '- you're welcome, as long
as it's for something useful -- I don't want to risk my hard disk
getting wiped just because someone wants to play Doom!"
Secret Actions
Tanzan: you cast the I Ching and receive the hexagram 'Hidden dragon. Do
not act.' You smile to yourself, knowing the meaning.
Tanya: how do you propose to go about your inquiries about the existence
of a coven? Who to ask, what to say?
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